You were my friend.
You were my friend years ago, but I hadn't talked to you in ages and I was afraid to talk to you now.
I would steal glances though--to make sure that that high school kid was really the same neighbor boy that I had played Mortal Combat with throughout much of my childhood.
You had grown quite a lot, and gained weight too, although you were always a bit rotund, from what I remembered.
Your older self seemed to be a sort of trouble maker, and I admit that I was put off by some of your behavior. You hung out with the other kids in our class who often came across as rude, and who, in my mind, had questionable morals and likely did questionable things.
But I still wanted to talk to you.
I wanted to talk but I was a "good kid," and I was fearful of how you might respond to my attempt at reaching out. I was afraid of being rejected by someone who once had been so close to me.
I tried to think of what I might say.
Again and again, opportunities would arise but I just couldn't figure out a decent way to start a conversation. "Hey we used to be neighbors and best friends and hang out everyday lets catch up" might have worked, but to my hyper-conscious high school self, that just didn't come across as a natural way to start a conversation.
I specifically remember one day--
One day you stood in the entryway to the classroom while talking to one of your friends. You were blocking the way through, and that was my chance. I could have said anything at that moment, and it would have re-initiated some sort of contact, even a simple "excuse me" with a glance and a smile would have done well enough.
But I didn't.
Instead I forced my way past, you obligingly stepped aside, and I rolled my eyes. I rolled them like some snooty, stuck-up drama queen who can't stand it when people improperly stand in doorways. And I instantly disliked myself for doing so. I felt foolish and snobbish and cowardly.
And underneath the i'm-better-than-you facade that I so suddenly constructed was my insecure self that desperately just wanted to say hi.
I missed having you as my neighbor. I missed when we would eat three servings of taco salad and drink Sunny D, much to my mother's chagrin, and when we would play with your old black (now gray) lab named Yogi.
I missed being your friend.
But these were words that I could not get myself to say, despite the chances that I had to say them, and I became resigned to the fact that we had both simply changed too much. I was a good student and you had grown tired of the whole operation, although you acquired a fantastic skill with your drum set, which I thought was pretty cool.
And then you died.
You had a nice funeral service--despite it being kind of preachy--or so I heard. I didn't go because my parents had forgotten to tell me the date and then forgot the date themselves.
I heard about your service the next Monday in pottery class and was brought to tears when I realized I had missed it.
I had missed the memorial service for your life.
A life that I had grown up with and cared about and respected, a life which had so suddenly vanished--
I had avoided talking to you for so long,
and I wasn't even there to pay my last respects.
You were my friend.
You were my friend and part of me--
Part of me thinks that on that morning when you stood in the doorway--
if I had just said something. If I had extended my friendship out to you once more than perhaps...
Perhaps things could have ended up differently.
And as I walked on graduation day, maybe your name could have been read aloud, and you would have crossed the stage also.
Rather than having your name read in memorial.
It's been almost five years, and I still think about you, and tears still form in my eyes. I don't know if it's because I'm over-emotional or over-dramatic or what.
But I think of you and I remember this boy from my childhood. A boy who sometimes threw rocks and said inappropriate things, but who also had an infectious laugh and a good heart.
A boy who was not very unlike myself.
Monday, January 13, 2014
Thursday, November 28, 2013
Food and Family
As a slight divergence from the themes of my previous blog
entries, I’m going to write about something that I almost always finish, and with
Thanksgiving coming up, I would venture to say that it is pretty relevant:
I can't stand leaving food unfinished.
To be honest I don't know what goes through my head when I pick up
the last few bites from my plate and force feed my self while my stomach is on
the verge of exploding, but it never seems to fail. Then I spend the rest of
the evening feeling mightily uncomfortable and wishing that someone had an
antacid.
Let’s face it. There is something about scraping perfectly good
food into the trash that just makes me feel like some horrible, ungrateful,
wasteful person. And so the alternative is? Eat it. All of it. Despite the
tension around my belt. I don't know if this is primarily an American
mentality, but I know several friends who can sympathize with me, and I have
some social theories as to why this is exactly. Perhaps one cause is the old
saying that I'm sure quite a few of us heard at the dinner table as children:
"eat your food, because there are children starving in (Insert China,
Africa, or whatever country your parents deemed to be more unfortunate here). This
saying doesn’t make sense now, and it never really made sense to me then,
either. If children were so starved that they would gladly eat the spinach that
I would have rather tossed out, then why didn't we send it over to them? Was my
stomach some sort of secret teleportation device that transported food over to
hungry kids?
Of course, I’m being slightly facetious. Surely the saying was
meant to help us appreciate the food that we had, because there are other people
who have nothing at all. It’s a stretch to say that such a simple saying could
be the primary cause for childhood obesity, but I do think that it could have
attributed a bit to our guilty consciences when we leave food unfinished. Another
factor is simply the fact that America’s culture is so familiar with having
excess, and the reality is that people are used to taking more than what they
need. This is a habit I personally have been trying to break. Instead of piling
my plate with food so I don’t have to go back for seconds, I’ve been trying to
eat in shifts. I start with the vegetables, go back for the grains and
proteins, and return once more if I’m still a bit hungry. This helps me control
all that goes into my stomach, while sparing myself from feeling guilty at the
same time.
Nonetheless, on Thanksgiving Day, even with all my past experiences
of accidentally having one too many biscuits, or unwisely squeezing in that
last slice of pumpkin pie, I will probably overdo it. But hey, the food has
been made, and what better way to be thankful to the hands that prepared it
then by trying out every single dish on the table? It’s an American holiday,
after all, and like it or not, the sharing of meals has long been an important
factor in regards to holidays and family gatherings. Not that I’m complaining.
Labels:
family,
food,
holidays,
overeating,
thanksgiving,
unfinished
Monday, November 25, 2013
Unfinished Art
There are few things that make me feel guiltier than leaving a painting unfinished, and yet I do it all the time. At first I thought it was just out of sheer laziness when I would give up on half-finished art (which may very well have been the case). Now I think that maybe I refuse to finish things primarily because, at this point in time, I simply do not have the amount of artistic skill that is necessary for my vision to be brought to life. I think its okay to recognize this. I might try and sketch something out multiple times, while attempting to pin down the feeling, the emotion, or the thoughts that are swirling around in my head. In a way, working on a painting is a lot like writing a story. You might have a shadow of an idea that you formed in your childhood that gradually grew and developed itself more within your own mind as you gained more ideas, read more, or experienced new things. That's not to say that you couldn't have written down your idea as a child, but it's very likely that it would lack the depth that one often desires their stories to have. The same can be said for producing art. I have several ideas that have yet to see the light of day, and still others that I would like to one day attempt to do again. But over the time that I've pondered my visions, they have steadily developed within my mind, along with my skills as a painter.
I'm not implying that finishing a piece that does not live up to my expectation dampens the idea any. I can always try to rework a painting, or completely start over, and then I would have something to compare my work to and learn from. In fact on one rare occasion I actually did this--I completed an entire painting that took me hours upon hours to do, then showed my teacher, who said that she wanted me to change something about it but it was impossible to do without starting over completely. So I did. I took every idea that worked really well and drew it again, only this time I knew exactly what I was looking for and how the space would be occupied. When it came to the things my teacher wanted me to change, I already had an idea of what worked and what didn't. I made less mistakes on my second drawing, and when I finished it I was much more satisfied. Holding the two paintings up to each other shows some drastic differences and it was really encouraging to find out how much I could improve something on the second time through. But it certainly takes more effort. Many, many extra hours and loss of sleep, in fact. And sometimes I just don't have enough time to waste on working on paintings of paintings before finally being satisfied with a piece of art.
I really probably should start doing more unfinished sketches and drawing and paintings, at least to get my thoughts down visually, and then later I could always go back and flip through a jumble of incomplete ideas while deciding which one I could tackle. You know, sketching is like writing too. More like journaling, maybe. It gives you a chance to collect your thoughts and saves them for a time when they would fit in with a bigger picture. I should really sketch more.
Perhaps the reason I don't really does come down to my just being lazy. But that is besides the point.
What it all comes down to, as I previously read in a book on writing, is that no idea is sacred. Just as one sentence in your first draft may not be completely necessary or beneficial for the whole story, the same can also be said about brush strokes on a painting. Sometimes you choose to do something that does not benefit the picture's balance, or you may even begin an idea that you realize you are really not all that interested in. Why waste time pushing through a painting that you don't really want to do (Unless it's a commission of course. In that case you better knuckle down)? The reality is that art exists for you, because of you, and as an extension of yourself. Whether you do a partial sketch, or paint the Mona Lisa, you are still giving the world something that is apart of you, and that does not depend on whether something is completed or not. Even Da Vinci (you can tell I admire him, huh?) had some unfinished pieces that he simply never got around to. And you know what? They're still beautiful. Not in the same aspect of his complete, fully-realized work, but in that it gives you a glimpse of his thoughts, and the process he went through to bring his more better-known pieces to life.
Thursday, September 26, 2013
Don't Leave a Friend Hanging (or with a broken arm)
There are some things that you really should not give up on. A marriage is one
example, or a job, or staying awake while driving, etc. Of course, there are
always exceptions (except for maybe that last one), but we should all know the
difference between when it’s okay to drop something, and when you really just
need to struggle through until you make it. I learned this the hard way
(actually, my friend did).
Being that I grew up through a homeschool program,
I and a good number of my church friends would learn biology from a nurse, who
was a family friend and one of the ladies that also went to my church. We would
go to her house and do things like frog and sheep’s eye dissections, look at
live gold fish under a microscope to see their pulsing veins, learn how to
identify and press flowers, found out what our blood type was, and other such
things. After class, we would go play in the tree house that she had in her
backyard, which once belonged to her now grown-up son.
The tree house had a rope ladder that went up through
the middle of the floor, and even though it was sturdy, it was relatively
difficult to climb up on. I had struggled many a time on my own before, but
today I managed to get to the top and was goofing off with several of my friends who had
also climbed in.
One of the girls named Katie, who was making her
way up the ladder, was obviously having a bit of trouble. I, being slightly
older, figured I would give her a hand and help pull her up. However, I was not
expecting it when she let go of the rope completely and gave me both her
hands. The rope ladder was being pushed forward by her feet, so much so that it
wasn’t holding very much of her weight, and instead relied on the strength of
my arms. To be honest, I don’t know if I would have had the ability to pull Katie
up or not, but the position I was in was so awkward that I simply was not ready
to bare that much weight.
All I remember was feeling her fingers slip from my
hands and watching her fall, probably a good seven feet, back to the ground.
She landed flat on her back and the wind was knocked out of her. I remember thinking
about how hard her head appeared to have hit the dirt, and I instantly felt
terribly sorry. Katie immediately burst out into tears and clung to her arm,
which seemed to be causing her the most pain. Our teacher/nurse came out and
checked on her, eventually having her mother come to get her. All the while I
was feeling very guilty, and didn’t know what to tell her (sorry I dropped you
from a tree house?). Instead I got away from everything that was going on, and practically
hid from Katie’s sight as her mom took her out to the car. I was scared to
death that she would blame me for her injury, would be angry at me, wouldn’t
forgive me.
Instead of saying I was sorry I just avoided her. A
week later I found out that she had broken her arm, and I wondered if it was
clear in her mind that I was to blame. I just lived with the guilt, although I
told my mother that it was my fault the poor girl broke her arm, but my mom didn’t
really understand what I meant. Any friendship I had with Katie quickly faded
away. I thought about going up to her and apologizing on many occasions but
figured it was too late by then. I remember a few years later, when we finally did
interact again, we were in the same class and she asked me what my name was.
She had forgotten me completely.
I guess it’s obvious, but what I regret most about
the situation was my inability to hold onto her. If only I had tightened my
grip, or asked for help, or told her to still hang onto the rope with one hand, I
would have kept her from falling. But in that split second the only decision I
made was to give up. I had given up on holding onto her literally, and further
down the road I also gave up on asking her for forgiveness.
This incident taught me
one of two things, the first being that you shouldn’t let your guilt get in the
way of repentance. Katie was always a nice girl and I’m sure she knew that I
hadn’t meant to hurt her, but she was probably just waiting for me to come up
and say some sort of apology. A sincere sorry may have been enough, and even if it
wasn’t I would have at least known that I had tried to apologize. My saying something wouldn't have caused her any more harm, and it certainly would have helped my conscience, but instead I just bit my tongue and let our friendship curmble to dust.
The second lesson I learned was to not help people
into tree houses.
Piano Lessons and Self Doubt
When I was maybe around ten years old my mother
decided to put me into piano lessons. If I remember correctly, my sister's
friend had gone to the very same piano teacher, and she was very skilled at
playing both the piano and the horn. While I had grown up singing, both inside
the church and in productions, I had never learned how to properly read music,
so the exercises I would begin doing with my instructor would set me up for
basic understanding of how the notes on the paper correlated with the keys on the
piano.
Before I learned anything, however, I first had to
get to her house. This wasn’t a problem per say, because my mom certainly was
going to drive me there, but there was an anxiety that accompanied me on the
way to my piano teacher’s place. The only way I could justify this anxiety
would be to say that it was a fear of the unknown; thinking that maybe she might
not like me, that maybe I wouldn’t be good enough. This of course, looking back
now, was an obviously silly notion, because I was going there for her to teach me how to be good at the piano. Why would the teacher expect me to have any
skills beyond the basics?
We finally arrived there and the house had a
distinct smell, not bad or good, just different. My fear trailed behind me as I
sat down at the piano bench and my instructor began to explain her program to
both me and my mom. She began telling me how some children start out very young,
perhaps as a method to explain to me that anyone could learn to play. This
however, was not how I took it. I instantly began to imagine a 5 year old child
who played marvelously at the piano, who knew so much more than I currently
knew about the large and mysterious musical instrument that sat before me. In
all honesty I think this is what set me up for failure. I instantly felt
inadequate, thinking to myself that I should have started younger, that I would
never be as good as the children who already had five years on me.
The problem was that no one knew that this was what I was thinking at the time, that I had
instantly internalized a feeling of inadequacy. The teacher may have very well
thought that her words were going to be an encouragement to me, but I had taken
it the completely opposite direction. In my mind, I had already come to the
conclusion that I could never be good enough.
Since the lesson was an hour long, my mom was going
to perhaps go shopping or do some other such errands to preoccupy her time
before she would come back to pick me up once the lesson was over. I remember
the feeling of dread that I felt as I was left with this kind, yet unfamiliar
lady. My instructor had a strong personality. She probably needed one in order
to keep five year olds on task, but it didn’t help any with my levels of intimidation.
I remember her asking me questions, trying to get a
feel for what I did already know about the piano. She asked me if I knew what
kind of piano she had, and showed me three silhouetted drawing of different
pianos with the names underneath. I stared at the pictures and looked back at
the large instrument before me, but none of the outlines seemed to quite match
up. I ventured a guess, but I was wrong. “Perhaps this will help” she said, as
she opened the top to reveal the strings and hammers. The half-opened lid now
matched the silhouette of the grand piano, which was what it was. After that
she taught me the proper form and placement of my fingers, and where to find
middle C. This was all good and well, and by the end of the lesson she had
given me a short assignment to practice and memorize over the course of the
week.
By the time my mom returned I was feeling slightly
less on edge. Over the next few weeks, I worked on the different piano
assignments that my instructor had given me, and returned to her house every Saturday
for one hour to show her what I had learned. The assignments had been relatively
easy, I had little difficulty, and I was beginning to expect praise and
encouragement from her.
One particular week however, I ended up not getting
as much practice in as I should have. I don’t know if it was because my school
homework had taken up too much of my time, or if I simply slacked off.
Nonetheless, sometime throughout the week I had decided that I had practiced
enough, and went back to my instructor to show her what I had learned, despite
the fact that I was not fully prepared.
As soon as I returned to her house for the lesson I
sat down and showed her the exercise I had been given. My fingers fumbled over
the keys a bit more this time, and it was obvious to my instructor that I
hadn’t spent an adequate amount of time to learn the song. She gave me one more
chance to play it through again to see if I could get it right a second time,
but I had no luck and struggled with the same parts that had given me some
trouble before.
“Did you practice this week?”
“Yes” I said, because I did, just not very much.
“I want you to work on this one more week and spend
more time actually practicing it.”
And with that, my lesson was over. I had failed
this week and would have to do the same exercise that I really didn’t want to
have to do over again.
The following days I felt dejected. The lesson was
still giving me difficulty and I was afraid to go back and fail again. I bet her five year old students didn’t have
to redo assignments. I bet her five year old students were way better than me.
As the next appointment with my teacher got closer
and closer throughout the week, I felt more and more anxiety. I couldn’t do this, I thought. I would never be good enough. The night
before my meeting with my instructor I sat crying on the couch, and my mom
asked me multiple times why I was crying after I refused to tell her.
Eventually I caved. “I don’t want to go back to my piano lesson.” Oh was that
all? My mom didn’t understand why I felt the way I did about my situation, but
she didn’t want to push me into something that I didn’t want to do. My problem
was that I did want to learn how to
play, but I was just so afraid of disappointing my teacher again that my fear
of her disapproval overshadowed my desire to learn. If I didn’t have to face the feeling of inadequacy,
then I wanted to avoid it. The only way I could do that was to not go back.
My mom called her that night to cancel my lessons. My mom said my teacher didn’t understand why I
would quit, she said I had been doing well so far. This came as a surprise to
me. I still felt a pang of regret but the relief I felt, knowing I didn’t have
to go back, was even stronger.
Looking back, I really do wish I had stuck it out
with my piano lessons. I still love music and try my hand at learning some
songs by ear, but knowing how to properly play would have really benefitted me.
As a child, I knew deep down that I wanted to learn, but I let my fear get the
best of me. As I’ve matured I have faced other similar situations, but have
since tried to swallow my fear so as to not be held back by it. I still feel
anxiety when it comes facing the unknown, but I know now that if I can stand my
ground, usually the benefits outweigh the fear. I certainly regret not sticking
with my piano lessons, but I think that the experience taught me something that
I never would have learned had I never dealt with such a situation. I now
understand the concept of a missed opportunity, and as opportunities arise in
my life today, I try to put my fear aside and take a chance. Most often it
turns into a great experience, and may even transform into something that I
love.
Completing your Priorities
Is it ever acceptable for someone to just never
complete something? Have you ever started a project that you had every
intention of completing, but you just never got around to finishing it because
somewhere along the way you just lost all interest? Do you ever feel guilty when you end up not
finishing something, or do you figure that it just wasn’t all that important to
you in the first place?
The reality is that everybody has started something
at one point in their lives that they just never managed to complete. It may have
been something like a movie or book, a class or hobby, an exercise routine, a
vitamin regimen, etc… And the reason we give up may stem from a number of
different factors. Perhaps you came to the realization that skydiving just
really wasn’t your thing, or you read a story that was so ridiculously inconsistent
that you just couldn’t pick it up anymore, or perhaps you started something
that you really did like and meant to finish, but just somehow managed to forget
about it.
In some cases giving up may be seen as a bad thing,
perhaps because it shows that you were too weak or uncommitted for a task. This
seems to be the way society views such matters, and in some cases we may feel
guilty because we were unable to meet society’s expectations. Regardless, I
think the things we choose to do and the things we give up (whether we consciously
choose to or not) can say quite a bit about our personalities. Everyday people
are prioritizing things in their lives based on the decisions they make and the
time they set aside for some things, even when that means taking time away from
others.
Trying new things is one of the wonderful aspects
of humanity. There are so many possible avenues for us to take, but that doesn’t
necessarily mean that each and every route will always be the best one for us. I
know I’ve had times where I started something and, even when I would try and
push through to enjoy it as best I could, it was such a relief when I stopped
trying and invested my time in something that I found to be much more enjoyable. The reality is that there are simply so many things out there that we can do, that sometimes we have to choose one thing over the other.
This is not to say that we should give up on
anything that takes more work than we expected, or that doesn’t excite us at
the time. Rather, we should ensure that what we are committing ourselves to is
something that we know we love, despite the amount of effort that we have to
put forth in order to get to where we want to be. Growing up, I personally had
a friend named Corey who was into wrestling simply because of his father's expectations for him. My friend’s real passion was theater, and even though his wrestling
career made his dad happy, it didn’t make
him happy. Eventually he gave up wrestling, despite his father’s protests, and
has since had many wonderful roles in multiple performances. Giving up
wrestling and letting his father down was not easy for Corey, but he made a
conscious decision to prioritize his life and do the one thing that he really
loved to do.
As for me, when I find that I leave projects
uncompleted, I take comfort in knowing that the great Renaissance artist
Leonardo da Vinci also had trouble with sticking to his projects. That however,
did not diminish the value of the work that he did complete! Lucky for us, we have the same amount of hours in a
day that Leo had, and that means that our efforts have the ability to take on
just as much significance, just as long as we choose to spend our time wisely!
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